Feu Monsieur Feydeau! by Sebastien Bertrand
Director: Sebastien Bertrand
Costume Design: Michelle Tracey
Set & Lighting Design: Glenn Davidson
Composition & Sound Design: Keith
Production Photography: Mathieu Taillardas
Theatre Francaise de Toronto
2024
Quote Unquote Collective
2024
Letters From Max by Sarah Ruhl
Director: Alan Dilworth
Set & Costume Design: Michelle Tracey
Lighting Design Rebecca Picherack
Sound Design: Debashis Sinha
Set & Costume Design Assistant: Aurora Judge
Production Photography: Dahlia Katz
Necessary Angel Theatre Company
2023
WILDWOMAN by Kat Sandler
Production Photos by Dahlia Katz
Costume Design by Michelle Tracey
Cast:
Rosemary Dunsmore
Dan Mousseau
Rose Napoli
Tony Ofori
Gabriella Sundar Singh
Creative Team:
Kat Sandler, Writer & Director
Luke Reece, Associate Director
Nick Blais, Set Designer
Michelle Tracey, Costume Designer
Kimberly Purtell, Lighting Designer
Maddie Bautista, Sound Design and Composition
Anita Nittoly, Intimacy and Fight Director
Angel Everett, Assistant Set Designer
Rachel Moore, Script Coordinator
Tamara Protic, Stage Manager
Seren Brooke Lannon, Assistant Stage Manager
Il Capello di Paglia di Firenze by Nino Rota
Director: Jennifer Tarver
Conductor: Russell Braun
Set & Prop Design: Michelle Tracey
Costume Design: Andrew Nasturzio & Alessia Urbani
Lighting Design: Jason Hand
University of Toronto Opera
2023
The Clearing by Helen Edmundson
Director: Jessica Carmichael
Set Design: Michelle Tracey
Costume Design: Asa Benally
Lighting Design: Kevin Lamotte
Composition & Sound Design: Chris Ross-Ewart
Production Photography: David Cooper
Shaw Festival
2023
Set & Costume Design
Set & Costume Design
Costume Design
Indecent
by Paula Vogel
Directed by Joel Greenberg
Set Design by Ken MacKenzie
Costume Design by Michelle Tracey
Lighting Design by Kim Purtell
Projection Design by Cameron Davis
Props by Chynah Philadelphia
Wardrobe Coordination by Alex Gilbert
Studio 180 & Mirvish
2022
Set Design
Set Design
Costume & Set Design
Costume Design
Riot
Written and Directed by Andrew Moodie
Costume Design by Michelle Tracey
Set Design by Steve Lucas
Production Photography and Sound Design by Lyon Smith
Renaissance Theatre
2022
release date TBA
Costume Design & Construction
Created & Directed by Viktor Lukawski
Costume Design by Michelle Tracey
Scenic Design by Kristel Maamägi
Projection Design by Taavi Varm
Lighting Design by Priidu Adlas
Zou Theatre & Sakala 3 (Tallinn, Estonia)
2021
Set & Costume Design
Garden of Vanished Pleasures
Devised & Directed by Tim Albery
Music by Donna McKevitt & Cecilia Livingston
Set & Costume Design by Michelle Tracey
Projection Design by Cameron Davies
Lighting Design by Wesley McKenzie
Soundstreams
2021
Set Design
Set, Costume & Projection Design
Set Design
Every Day She Rose
by Andrea Scott & Nick Green
Directed by Sedina Fiati & Andrea Donaldson
Set Design by Michelle Tracey
Costume Design by Ming Wong
Lighting Design by Rebecca Picherack
Nightwood Theatre
2019
Costume Design
Knives in Hens
by David Harrower
Directed by Leora Morris
Scenic & Lighting Design by Kaitlin Hickey
Costume Design by Michelle Tracey
Production Photography by Dahlia Katz
Featuring Diana Bentley, Jim Mezon & Jonathan Young
Coal Mine Theatre
2019
Costume Design
Costume Design
Lighting Design
Set & Lighting Design
Set & Costume Design
Wedding at Aulis
by Sina Gilani
Directed by Alan Dilworth
Set & Costume Design by Michelle Tracey
Lighting Design by Itai Erdal
Sound Design by Debashis Sinha
Soulpepper Theatre
2019
Set, Costume & Lighting Design
The Scavenger’s Daughter
part 2 of The Empire Trilogy by Susanna Fournier
Produced by Paradigm Productions at Buddies in Bad Times Theatre
Direction: ted witzel
Set, Costumes & Lighting Design: Michelle Tracey / Triga
Associate Designer: Shannon Lea Doyle / Triga
Projection Design: Wesley McKenzie
Sound Design: Benjamin McCarthy
“The strongest elements of The Scavenger's Daughter come from the designers, particularly scenographer Michelle Tracey, who uses earth and coloured lights create disturbing effects” (Now Magazine)
Set Design
Sisters
by Rosamund Small
Directed by Peter Pasyk
Set Design by Michelle Tracey
Costume Design by Erika Connor
Lighting Design by Kimberly Purtell
Sound Design by Richard Feren
Production Photography by Cylla von Tiedmann
Soulpepper Theatre
2018
“ The production has a lyrical, dreamlike feel. Seeing Michelle Tracey’s set design is like peering into a music box, and she inventively sets apart the scenes in Ramy’s shop. No item on the stage is superfluous, which makes the removal of each piece of furniture near the end even more poignant”
- Debbie Fein-Goldbach
https://nowtoronto.com/stage/theatre/sisters-soulpepper-rosamund-small/
“ Pasyk’s direction is graceful and often visually poetic, his talent manifest in several powerful stage images. He’s helped by Michelle Tracey’s spare set, a raked stage in a utilitarian-looking frame, which serves as Ann (Laura Condlln) and Evelina’s (Nicole Power) claustrophobic shop. The sisters’ lives are changed by the arrival of a German clockmaker, Herman Ramy (Kevin Bundy), who sells Ann a small clock. Ramy’s lodgings are creatively designed: They exist above the raked platform in a compartment that opens and closes like a peep show…
Pasyk advances the narrative through elegant staging and moments of vivid symbolism. Ann’s fears and desires are vivified in sequences that transpire like semi-conscious dreams, accented with the bold use of blackouts and sharp sounds (designed by Richard Feren). Dust falls from the ceiling when the sisters’ neighbour, Mrs. Mellins (Karen Robinson), has a headache upstairs; the rain starts and stops with theatrical abruptness. Although the sisters are nestled away in their basement, there’s a sense that the membrane between inside and outside is so thin it might be illusory. The dangers associated with poverty – illness, depression, isolation, addiction – encroach from all sides”
- Martha Schabas, The Globe and Mail
https://www.theglobeandmail.com/arts/theatre-and-performance/reviews/article-soulpeppers-rendition-of-sisters-is-stuck-in-the-19th-century/
“I was immediately blown away by the set, as was my friend Christine. The home sisters’ home and shop is outlined by a three-dimensional picture frame illustrating exactly how small their home is. Characters move in and around this set with ease but once they are within the confines of the frame, they are inside the home. This becomes a very noteworthy point later in the performance. Within the frame exists a basic sewing and supplies table and a small bed for both sisters hardly big enough for one. I also thoroughly love how the back wall could open up to reveal another set. Designer Michelle Tracey has outdone herself here”
- Samantha Wu, Mooney on Theatre
https://www.mooneyontheatre.com/2018/08/31/review-sisters-soulpepper/
Costume Design
Waiting for Godot
by Samuel Beckett
Directed by Daniel Brooks
Costume Design by Michelle Tracey
Set Design by Lorenzo Savoini
Lighting Design by Kevin Lamotte
Sound Design by Richard Feren
Soulpepper Theatre
2017
Set Design
Lighting Design
Someone Between
Written and Performed by Chantria Tram
Directed by Paula Wing
Movement Direction by Andrea Nann
Lighting Design by Michelle Tracey
Set and Costume Design by Alexandra Lord
Assistant Set Design by Michelle Tracey
Production Photography: Dahlia Katz
Aspara Theatre
2017
Set Design
Crawlspace
by Karen Hines
Set Design & Associate Lighting Design by Michelle Tracey
Lighting Design by Sandi Somers
Soulpepper Theatre
2017
Set & Costume Design
Imeneo
by Frederick Handel
Directed by Tim Albery
Set & Costume Design by Michelle Tracey
Lighting Design by Jason Hand
University of Toronto Opera Division
2017
Costume Design
The Unending
Directed by Aaron Willis
Costume Design by Michelle Tracey
Set & Lighting Design by Nick Blais
Convergence Theatre
2016
Costume Design
Hamlet
by William Shakespeare
Directed by Birgit Schreyer Duarte
Costume Design by Michelle Tracey
Canadian Stage
Shakespeare in High Park
2016
by William Shakespeare
Canadian Stage
Shakespeare in High Park 2015
Direction: Estelle Shook
Costume Design: Michelle Tracey
University of Toronto Opera Division
2015
Direction: Tim Albery
Set & Costume Design: Michelle Tracey
Lighting Design: Wesley McKenzie
Set & Costume Design
M’dea Undone
Libretto by Marjorie Chan
Music by John Harris
Directed by Tim Albery
Set & Costume Design by Michelle Tracey
Lighting Design by Jason Hand
Tapestry Opera
2015
”English director Tim Albery expertly makes use of a set that spans the warehouse space and is composed of various staircases, bridges, and simple set pieces, allowing for a world that is at once exposed and vulnerable as it is cloistered and confined”
- http://playanon.blogspot.ca/2015/05/shes-come-undone.html
“The open-concept visible scaffolding and set design were also interesting as one was not immediately aware of which aspects were part of the building architecture, and which were of the performative ‘stage’ area. Attention was directed to various areas spanning the space, which not only kept the progression lively, but also lent an element of unpredictability to the scenes”
- Casey Robertson, http://thebuzzmag.ca/2015/05/review-the-tapestry-opera-world-premiere-of-mdea-undone/
“Director Tim Albery expertly managed Tracey's design of the space providing a neat clearly directed visual, a visual that showed a stark contrast between the lush political affluence and the strife torn village that our heroine was forced to betray”
- Greg Finney, http://www.schmopera.com/in-review-mdea-undone/
“I couldn't get over how organic everything was, even the raw scaffolding set, or the small but clear implication of a Presidential Briefing Room. Michelle Tracey's sets and costumes made this an every-day, contemporary story, with noticeable hints of uneasiness…
[Dahlia] was a beautiful foil to M'dea, whose wild curls and flowing costumes are a stark contrast to Dahlia's smooth, fitted dresses and gleaming white smile”
- Jenna Douglas, http://www.schmopera.com/in-review-mdea-undone/
Costume Design
Costume Design
SOS (The Smell of the Soul)
by Erika Batdorf & Arwinda
Directed by Guillaume Bernardi
Costume Design by Michelle Tracey
Scenography by Trevor Schwellnus
Array Studio
2015
Set & Costume Design
Last Days
Created and Directed by Tim Albery
Music Direction by David Fallis
Set & Costume Design by Michelle Tracey
University of Toronto Opera Division
2014
Costume Design
Into the Woods
by Stephen Sondheim
Directed by Jeremy Hutton
Costume Design by Michelle Tracey
Set and Lighting Design by Joe Pagnan
Hart House Theatre
2016
Set & Costume Design
Still
by Jen Silverman
Directed by Ali Richardson
Set & Costume Design by Michelle Tracey
Binocular Theatre
2016
Set & Costume Design
Much Ado About Nothing
by William Shakespeare
Directed by Richard Rose
Consulting Direction by Ravi Jain
Set & Costume Design by Michelle Tracey
Lighting Design by Philip Silver
Tarragon Theatre
2015
Costume Design
Like A Generation
by Coyote Collective
Directed by Blue Bigwood-Malin
Costume Design by Michelle Tracey
Set Design by Amanda Wong
2015
Costume Design
The Trojan Women
by Euripides
Adaptation by Gwendolyn MacEwen
Directed by Peter Pasyk
Costume & Makeup Design by Michelle Tracey
Scenic Design by Anna Treusch
Production Photography by Raph Nogal
Randolph Academy
Summerworks Theatre Festival
2014
Costume Design
Company
music and lyrics by Stephen Sondheim
book by George Furth
Directed by Gary Griffin
Costume Design by Michelle Tracey
Set Design by Ken MacDonald
Theatre 20
2014
Co-Costume Design
the RESISTIBLE rise of artuo UI
by Bertolt Brecht
Directed by Ted Witzel
Costume, Makeup & Prop Design by Michelle Tracey & Amanda Wong
the red light district
2013
Co-Costume Design
Purgatory in Ingleton
by Marieluise Fleißer
Directed by Birgit Schreyer Duarte
Costume Design by Michelle Tracey & Amanda Wong
Storm and Stress Co. & the red light district
SummerWorks Theatre Festival
2013